What it tries to do: Following up The Deer Hunter, Michael Cimino was given free rein to make his dream project, and he dreamed big. Retelling the story of the Johnson County War, which brought Wyoming cattle barons into conflict with poor immigrants, Cimino spent a then-stunning $36 million attempting to tell the whole story of America by recreating the Old West and shooting an unglamorous epic of moral conflicts, violence, gang rape, and lots and lots of barren landscapes. Why it failed: The initial release of Heaven’s Gate was nearly four hours long, but it was pulled from theaters, then re-released at about two and a half hours. It could be argued that United Artists’ lack of confidence did it in. But no, Heaven’s Gate is a mess, with confusing relationships, no narrative muscle, and a pace seemingly inspired by a slow breeze blowing through the high grass.Why it’s worth seeing: As an exercise in poetic imagery, it justifies its run time. Cinematographer Vilmos Zsigmond revives the sepia sadness of McCabe & Mrs. Miller, and the cast—including Kris Kristofferson, Isabelle Huppert, Christopher Walken, and many other names of note—looks like it’s plugged into some powerful emotional current that the audience must just be missing. It would be nice to claim that the film which drove the last nail into the coffin of ‘70s cinema and killed United Artists is actually a lost masterpiece. It isn’t. But it’s got a quality all its own.