American Idol: "Top 12 Boys Perform"
Even though I’ve been saying how Season 10 of Idol so far is different in the right ways, I still didn’t think the Top 12 boys singing would be anything special. To be honest, when I realized there’d be five hours of Idol this week, I kind of wanted to throw up. After all, the first performance episodes of Idol have always stunk of amateur hour, with corny songs, bad staging, and awkward relationships with the camera and audience.
Oh, me of little faith. Of course I should have known that J-Lo and Steven Tyler wouldn’t sit in the dinky little studio in which the Top 12 performances previously took place, and with the bigger stage, I should have expected the fancier band and backup singers. But I didn’t actually expect, at this stage, to be excited already. Of course there were some forgettable performances (and one or two bad ones), but a Season 10 forgettable performance would have been pretty awesome for Seasons 1 through 7 or so.
There appeared to be no particular theme as the Top 12 boys performed, a motley crew if ever there was one. After a few OK performances and a few questionable ones (which I’ll get to later), James Durbin was the first standout of the night. With the big stage came the singers’ responsibility to fill it. “Having a good time” is not typically my top criteria when it comes to judging the contestants, but Durbin really seemed to hit the sweet spot of having the time of his life and letting that influence his performance (and if you’ve been reading me thus far, you know that I don’t even like him that much). He sang “You Got Another Thing Coming,” and as Steven Tyler pointed out, there was something pretty awesome about hearing Judas Priest on American Idol. I was rolling my eyes initially at James’ screeching and devil horns and bandana-tail but I was eventually sold. (On the performance, not the tail. Forever no to the tail. Down with the tail.) I agreed with Jennifer that James’ performance was organic: He filled up the stage and the theater with his voice and just seemed thrilled to be there. The performance won one “fucking” from Steven and two politically incorrect statements (“Insane!” “Crazy good!”) from Jennifer. The icing on the cake was how James resembled an overgrown little boy and Ryan looked like his little doll when he stood next to him.
I think a big part of Idol this season is going to be the singers’ ability to quickly sell themselves and their identity to their audience. While Stefano Langone’s style isn’t really my cup of tea, either, he also did a great job embodying Bruno Mars’ “Just the Way You Are,” with his high voice and puppy dog eyebrows. Once again, he managed to fill up the space with his voice and made me believe he knew what he was doing (I even thought his high note sounded OK, until I spied Jennifer making a stankface right when he hit it). He’s the Idol contestant for the little girls out there. The judges enjoyed his performance so thoroughly Randy forgave him for his high note.
I think Paul McDonald is my favorite in the competition so far, and it’s not just because of his beautiful white teeth or the fact that he dances like a drunken marionette. (By which, of course, I mean the puppeteer in question is drunk. I know a marionette can’t get drunk. Get off my ass.) I really like the tone of his voice. I don’t know that Paul will go very far in the competition, but if he does, I’d be interested to see what he does if he really tries. I thought his rendition of “Maggie May” was good but a little too soundalike. The judges liked it a lot, but at this point, I like him and his country hipster persona more than what he brought tonight. I hope he makes it far enough that we see him actually get competitive.
Then there was Jacob Lusk with “A House is Not a Home.” I still have doubts about how Jacob would fare when forced to take on specific genres (I wonder how he’d sound doing Judas Priest), but when he does what he does, which is, channel Luther Vandross (in various ways), nobody on the show can touch him. Jacob is immensely charming when he performs: The way he flirts with his eyes when he sings makes me smile, not to mention his adorable cheeks, his nice suit, and the fact that he can bring it when he sings soul. I liked Steven pretending to swoon at the end of his performance.
The episode ended with Casey Abrams, whose balls I have to admire because just the slightest misstep on “I Put a Spell On You” could have spelled campy disaster. Of course, he growled and snarled when he sang the song, but I liked that he didn’t dress the Screamin’ Jay Hawkins part. If anything, I wouldn’t be opposed to Casey going in for a little trim and whitening. He sings as if he won Idol already, and he’s just dicking around for fun onstage. After all Casey’s theatrics, I liked that he ended the song on a sweet, high note: There aren’t too many contestants on this show who can be funny while they sing and still seem professional. The judges were enchanted, and Jennifer’s delight in the performance was infectious (she called Casey sexy and mimicked him gobbling up his performance). Casey really is the most unassuming-looking guy on the show, which is charming when you consider how talented he is and how comfortable he seems.