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How a little Mick Jagger and a lot of wine brought The Burnt Orange Heresy together By Cameron Scheetz March 5, 2020 | 10:30pm
Our critics forge Onward with a review of Pixar's latest By Katie Rife, A.A. Dowd March 5, 2020 | 8:35pm
Chicago, you've only got one chance to see Never Rarely Sometimes Always early and for free By Katie Rife March 5, 2020 | 6:00pm
Haley Bennett really did put tacks in her mouth, but there's so much more to Swallow By Cameron Scheetz March 5, 2020 | 2:30pm
This March, go Onward with Pixar, return to A Quiet Place, and catch some terrific indies By The A.V. Club, Katie Rife, William Hughes, Jesse Hassenger, Ignatiy Vishnevetsky March 5, 2020 | 12:00pm
Bill Nighy on Autumn de Wilde's Emma. and his favorite unsung movies By Cameron Scheetz March 4, 2020 | 4:30pm
Unlucky travelers stumble into a nightmare in this exclusive reveal of the surreal horror of Honeydew By Katie Rife March 3, 2020 | 6:30pm
Steve Coogan and Michael Winterbottom on Greed and why they keep coming back for another Trip By Cameron Scheetz March 3, 2020 | 4:30pm
Oliver Jackson-Cohen wasn't afraid to step into the toxic titular role of The Invisible Man By Cameron Scheetz March 2, 2020 | 4:30pm
Our critics sing a happy tune about the delightful Romanian neo-noir The Whistlers By Katie Rife, Ignatiy Vishnevetsky February 28, 2020 | 8:30pm
Elisabeth Moss is visibly great in Blumhouse’s new take on The Invisible Man By Katie Rife, Ignatiy Vishnevetsky February 28, 2020 | 4:30pm
Storm Reid goes head-to-head with The Invisible Man By Cameron Scheetz February 28, 2020 | 2:30pm
Survival is in the blood in this exclusive Blood Quantum trailer By Katie Rife February 27, 2020 | 9:00pm
All The Bright Places' Elle Fanning and Justice Smith on what's best about the Midwest By Cameron Scheetz February 27, 2020 | 5:30pm
Love & Basketball was a romantic slam dunk By Caroline Siede February 27, 2020 | 4:00pm
The Invisible Man's Elisabeth Moss on monsters, metaphors, and being labeled a "fearless actor" By Cameron Scheetz February 26, 2020 | 6:00pm
What was it like to be a stunt driver on Ford V Ferrari? By Cameron Scheetz, Marah Eakin February 25, 2020 | 8:30pm
Anya Taylor-Joy and Johnny Flynn studied classic screwball comedies for Emma. By Cameron Scheetz February 25, 2020 | 4:30pm
The Invisible Man director Leigh Whannell figured out how to make empty corners horrifying By Cameron Scheetz February 24, 2020 | 4:30pm
Gremlins knockoffs live again in the alien impregnation horror-comedy Snatchers By Alex McLevy February 24, 2020 | 4:00pm
Sequels got deeper and more ambitious with The Empire Strikes Back By Tom Breihan February 21, 2020 | 12:00pm

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