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The A.V. Club is liveblogging the 2020 Oscars By Katie Rife, A.A. Dowd February 10, 2020 | 12:30am
Jojo Rabbit is not the new Life Is Beautiful By Mike D'Angelo February 9, 2020 | 10:00pm
Our critics swoop in on DC's new Harley Quinn spin-off Birds Of Prey By Katie Rife, A.A. Dowd February 8, 2020 | 4:00pm
Old men with guns: Death, age, and violence in The Irishman and Once Upon A Time… In Hollywood By Katie Rife February 7, 2020 | 6:46pm
Jojo Rabbit is a Holocaust drama inside of a broad satire, and neither of them is that great By Katie Rife, A.A. Dowd February 7, 2020 | 5:30pm
Frozen 2's filmmakers on '80s rock ballads and moving beyond "Let It Go" By Cameron Scheetz February 7, 2020 | 3:30pm
Four decades before Marriage Story, a quintessential divorce drama swept the Oscars By Tom Breihan February 7, 2020 | 12:00pm
What will win, and what should win, at the 2020 Oscars By A.A. Dowd February 6, 2020 | 8:00pm
Our critics dig into Bong Joon Ho's celebrated genre-bender Parasite By Katie Rife, A.A. Dowd February 6, 2020 | 7:30pm
The cast of The Lodge says production was literally on thin ice By Cameron Scheetz February 6, 2020 | 5:30pm
Harley Quinn and Sonic The Hedgehog bring some colorful mayhem to the big screen this February By The A.V. Club, Katie Rife, Ignatiy Vishnevetsky, Jesse Hassenger, William Hughes, Mike D'Angelo February 6, 2020 | 12:00pm
Bobby Lopez incorporated traditional Scandinavian music into the songs of Frozen 2 By Cameron Scheetz February 5, 2020 | 3:30pm
Oscar-winning production designer Barbara Ling on putting the Once Upon A Time… into Tarantino’s latest By Katie Rife February 4, 2020 | 3:38pm
Oscar nominee Thelma Schoonmaker on De Niro’s wrinkles and 50 years of editing Scorsese By Katie Rife February 3, 2020 | 12:00pm
Beanpole is a bleak, twisted movie—and that's what we liked about it By Katie Rife, Ignatiy Vishnevetsky January 31, 2020 | 9:30pm
The best movies of Sundance 2020 By A.A. Dowd January 31, 2020 | 8:35pm
The watches and wigs are superb, but The Rhythm Section didn't vibe with our critics By Katie Rife, Ignatiy Vishnevetsky January 31, 2020 | 5:30pm
Working Girl’s message is timeless, even if the hair and the shoulder pads aren’t By Caroline Siede January 31, 2020 | 12:00pm
The biggest deal in Sundance history is for a charming Andy Samberg spin on a comedy classic By A.A. Dowd January 30, 2020 | 1:25am
Only at Sundance can a tweetstorm be a movie and Peter Pan a beast of the Southern wild By A.A. Dowd January 27, 2020 | 11:20pm
We are pleased to report the Nicolas Cage in Grand Isle is the Cage you were hoping for By Alex McLevy January 27, 2020 | 12:00pm

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