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Robert Drew’s Kennedy films chart the evolution of American politics—and American documentary By Mike D'Angelo April 23, 2016 | 5:00am
Matteo Garrone’s Tale Of Tales offers one macabre fable after another By Ignatiy Vishnevetsky April 21, 2016 | 5:00pm
There’s not a lot to celebrate in the uneven horror anthology Holidays By Katie Rife April 21, 2016 | 4:00pm
Mads Mikkelsen gets grotesque in the unfunny Men & Chicken By Mike D'Angelo April 21, 2016 | 3:00pm
The Huntsman: Winter’s War is more fun than its wan predecessor By Jesse Hassenger April 21, 2016 | 5:00am
Elvis & Nixon struggles to turn a famous photo into a movie By Jesse Hassenger April 21, 2016 | 5:00am
The Meddler gives Susan Sarandon a surprisingly great role By Jesse Hassenger April 21, 2016 | 5:00am
The most memorable thing about A Hologram For The King is its title By Keith Uhlich April 21, 2016 | 5:00am
Nina reinvents an artist’s eventful life as a terrible movie about nothing By Mike D'Angelo April 21, 2016 | 5:00am
Gasland director Josh Fox wants to teach us How To Let Go Of The World By Noel Murray April 19, 2016 | 5:00am
Barcelona applies the famous Whit Stillman wit to anti-Americanism By Mike D'Angelo April 16, 2016 | 5:00am
The Measure Of A Man is not employment, says this affecting award-winner By Mike D'Angelo April 14, 2016 | 4:00pm
A New Year’s Eve special almost goes to hell in My Big Night By Ignatiy Vishnevetsky April 14, 2016 | 3:00pm
Denys Arcand’s bland infidelity drama has An Eye For Beauty, but little else By Mike D'Angelo April 14, 2016 | 2:00pm
The Adderall Diaries wastes interesting questions on a James Franco character By Katie Rife April 14, 2016 | 1:59pm
Rio, I Love You, but you’re bringing me down By Jesse Hassenger April 14, 2016 | 1:00pm
Disney’s new take on The Jungle Book is gorgeous but under-conceived By Ignatiy Vishnevetsky April 14, 2016 | 5:00am
Criminal doesn’t live up to its insane premise By Ignatiy Vishnevetsky April 14, 2016 | 5:00am
It’s punks versus Nazis in Green Room’s grisly, terrifying battle of the bands By A.A. Dowd April 14, 2016 | 5:00am
The director of Once returns to his ’80s-rock youth with the earnest Sing Street By A.A. Dowd April 14, 2016 | 5:00am
The Next Cut revives the warm familiarity of Barbershop By Jesse Hassenger April 14, 2016 | 5:00am

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