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Thanksgiving is a grueling reunion in the tough, bracing Krisha By A.A. Dowd March 17, 2016 | 5:00am
For better and worse, the gumshoe drama Too Late is a genre throwback By Katie Rife March 17, 2016 | 5:00am
Lance Armstrong is boldly unsympathetic in the otherwise rote The Program By Mike D'Angelo March 17, 2016 | 5:00am
The Bronze works better as a sincere character study than a Bad Santa clone By Jesse Hassenger March 16, 2016 | 5:00am
God, please spare us more Miracles From Heaven By Jesse Hassenger March 15, 2016 | 10:00pm
Fireworks Wednesday is another back-catalog gem from Asghar Farhadi By A.A. Dowd March 15, 2016 | 5:00am
The documentary City Of Gold is a love letter to food—and Los Angeles By Noel Murray March 15, 2016 | 5:00am
The Manchurian Candidate remains a thrilling classic of Hollywood paranoia By Mike D'Angelo March 12, 2016 | 6:00am
Christ, The Young Messiah is dull By Ignatiy Vishnevetsky March 11, 2016 | 7:41pm
The Perfect Match does a strange, hollow imitation of a rom-com By Jesse Hassenger March 11, 2016 | 4:00pm
The claustrophobic 10 Cloverfield Lane is a sequel mostly just in name By A.A. Dowd March 10, 2016 | 7:12pm
The joke can’t breathe in Sacha Baron Cohen’s The Brothers Grimsby By Jesse Hassenger March 10, 2016 | 4:23pm
Sally Field shines in the meekly unconventional Hello, My Name Is Doris By Katie Rife March 10, 2016 | 4:13pm
The director of Old Joy made her debut with terrific outlaw saga River Of Grass By Mike D'Angelo March 10, 2016 | 6:00am
Atom Egoyan embraces his lurid side in the Nazi-hunt thriller Remember By Mike D'Angelo March 10, 2016 | 6:00am
The sci-fi indie Creative Control imagines the hipster future By Ignatiy Vishnevetsky March 10, 2016 | 6:00am
Eye In The Sky isn’t quite the drone-age Dr. Strangelove it could have been By Adam Nayman March 10, 2016 | 6:00am
A Monty Python alum offers a cheeky economics lesson in Boom Bust Boom By Noel Murray March 10, 2016 | 6:00am
Only true ’90s kids will be able to sit through Max Landis’ Me Him Her By Ignatiy Vishnevetsky March 10, 2016 | 6:00am
No talent is no problem for the rich wannabe opera singer of Marguerite By Benjamin Mercer March 8, 2016 | 6:00am
Julie Delpy’s Lolo is a comedy more dark than romantic By Keith Uhlich March 8, 2016 | 6:00am

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