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The disastrous Welcome To Marwen strands a fascinating true story in the uncanny valley By A.A. Dowd December 20, 2018 | 4:45pm
Reilly & Coogan make a good Laurel & Hardy in the otherwise unexceptional Stan & Ollie By Mike D'Angelo December 19, 2018 | 6:00pm
After a clumsy opening statement, RBG biopic On The Basis Of Sex effectively argues its case By Caroline Siede December 19, 2018 | 5:05pm
Christian Bale’s Dick Cheney impression is the only virtue of the glib, superficial Vice By Ignatiy Vishnevetsky December 17, 2018 | 8:30pm
Nicole Kidman gets her hands dirty in the gritty L.A. crime thriller Destroyer By Katie Rife December 17, 2018 | 3:30pm
The 8-hour genocide documentary Dead Souls justifies its mammoth length By A.A. Dowd December 14, 2018 | 9:00pm
Bumblebee may be the best Transformers movie, but does that mean it’s any good? By Jesse Hassenger December 14, 2018 | 5:00pm
Barry Jenkins follows Moonlight with the gorgeous James Baldwin adaptation If Beale Street Could Talk By A.A. Dowd December 14, 2018 | 1:00am
Clint Eastwood re-emerges from retirement for one last drug run in The Mule By Jesse Hassenger December 12, 2018 | 9:00pm
Lars von Trier argues with himself in unpleasant serial-killer drama The House That Jack Built By A.A. Dowd December 12, 2018 | 7:45pm
A spoonful of nostalgia helps the calculated Mary Poppins Returns go down By Charles Bramesco December 12, 2018 | 5:00pm
Lord Of The Rings vets bring the steampunk world of Mortal Engines to sputtering life By Katie Rife December 12, 2018 | 2:00pm
Netflix’s post-apocalyptic Sandra Bullock vehicle Bird Box fumbles in the dark By Katie Rife December 12, 2018 | 11:00am
The manipulative Cannes award-winner Capernaum pleads for your pity at every turn By Mike D'Angelo December 11, 2018 | 9:00pm
Like its hero, Aquaman is big, cheesy, and fun By Ignatiy Vishnevetsky December 11, 2018 | 7:00pm
Julia Roberts frets about her beautiful boy in the year's weaker teen addict drama, Ben Is Back By A.A. Dowd December 6, 2018 | 4:15pm
Natalie Portman plays a cynical pop star for an overstimulated age in the glib Vox Lux By Katie Rife December 5, 2018 | 11:30pm
With Mowgli, Andy Serkis brings a marginally darker Jungle Book to Netflix By Ignatiy Vishnevetsky December 5, 2018 | 9:30pm
The micro-indie The Great Pretender finds comedy in art, self-deception, and gonorrhea By Ignatiy Vishnevetsky December 4, 2018 | 9:30pm
Boys’-weekend cringefest Tyrel puts Jason Mitchell through the microaggression ringer By Vikram Murthi December 4, 2018 | 7:00pm
There’s nothing spooky and a lot irritating about the showbiz-family affair Clara’s Ghost By Mike D'Angelo December 4, 2018 | 6:00pm

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