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The slick 7 Days In Entebbe waxes nostalgic for the days when terrorists wore turtlenecks By Ignatiy Vishnevetsky March 13, 2018 | 7:30pm
Benji returns to do Bourbon Street and encourage prayer in a new Netflix movie By Vadim Rizov March 13, 2018 | 6:40pm
100 years after the Spring Offensive, war is still hell and Journey’s End is still good By Mike D'Angelo March 13, 2018 | 5:25pm
The disaster-slash-chase flick The Hurricane Heist is more of a mild breeze By Ignatiy Vishnevetsky March 9, 2018 | 8:55pm
Gringo calls back to the heyday of star-studded Elmore Leonard crime capers By A.A. Dowd March 8, 2018 | 9:05pm
The sequel Prey At Night slashes The Strangers’ home-invasion premise into... art? By Ignatiy Vishnevetsky March 8, 2018 | 8:00am
Netflix’s The Outsider is the generic Jared Leto yakuza thriller no one wanted By Mike D'Angelo March 8, 2018 | 5:00am
Two teen girls forge a dark friendship in the tense, blackly comic Thoroughbreds By A.A. Dowd March 7, 2018 | 10:05pm
A Wrinkle In Time alternates clumsiness with moments of honesty and grace By Jesse Hassenger March 7, 2018 | 5:00pm
A dictator’s cronies jockey for power in Veep creator Armando Iannucci’s The Death Of Stalin By Ignatiy Vishnevetsky March 6, 2018 | 10:25pm
Isabelle Huppert gets mixed up in a love triangle in the playful, spontaneous Claire's Camera By Mike D'Angelo March 6, 2018 | 5:00pm
Chronicle Of Anna Magdalena Bach, the strangest music biopic ever made, returns in a 50th-anniversary restoration By Ignatiy Vishnevetsky March 2, 2018 | 7:50pm
Bruce Willis has a Death Wish in Eli Roth's faithfully fascist, gun-nut remake By A.A. Dowd March 2, 2018 | 2:00am
The historical action-horror hybrid Mohawk makes America the bogeyman By Katie Rife February 28, 2018 | 11:15pm
They Remain pushes The Good Place’s William Jackson Harper to an unsettling bad place By Alex McLevy February 28, 2018 | 5:30pm
The frustrating Did You Wonder Who Fired The Gun? ponders racism and erasure by way of true crime By Ignatiy Vishnevetsky February 27, 2018 | 9:40pm
Addiction is the real monster of Werewolf, a striking addition to the junkies-in-love genre By Mike D'Angelo February 27, 2018 | 8:10pm
Love, Simon often plays like sweetly progressive, second-rate TV By Jesse Hassenger February 27, 2018 | 7:30am
Mute is a flabbergasting futuristic dud from the director of Moon and Warcraft By Ignatiy Vishnevetsky February 23, 2018 | 8:00am
Alex Garland's Annihilation is weirder, wilder, and much scarier than Ex Machina By A.A. Dowd February 22, 2018 | 11:25pm
The YA adaptation Every Day never grows into its tricky body-swapping premise By Jesse Hassenger February 22, 2018 | 11:00pm

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