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Pete Davidson delivers small-time charms in Big Time Adolescence By Caroline Siede March 10, 2020 | 5:30pm
Gorgeous visuals make the shocking drama Swallow go down easy By Katie Rife March 6, 2020 | 10:00pm
Even Mark Wahlberg can do better than the forgettable Spenser Confidential By Ignatiy Vishnevetsky March 6, 2020 | 8:00am
Ken Loach grinds another honest man under the cruel gears of society in Sorry We Missed You By A.A. Dowd March 5, 2020 | 4:25pm
If you think you know what Bacurau is all about, keep watching By Katie Rife March 4, 2020 | 11:30pm
The style is thrilling, even when the story isn’t, in Chinese gangster noir The Wild Goose Lake By Ignatiy Vishnevetsky March 4, 2020 | 7:00pm
The Banker is rich only with biopic clichés By Lawrence Garcia March 4, 2020 | 5:00pm
Kelly Reichardt’s First Cow finds an American creation myth in a touching portrait of friendship By A.A. Dowd March 4, 2020 | 3:50pm
Ben Affleck dunks on his demons in the miraculously non-corny basketball drama The Way Back By Charles Bramesco March 4, 2020 | 2:00pm
Highbrow title aside, The Burnt Orange Heresy is a thriller of delectable surface pleasures By Mike D'Angelo March 3, 2020 | 7:00pm
Extra Ordinary is a warm, low-key trip to Ghostbusters territory By Jesse Hassenger March 2, 2020 | 4:30pm
Wendy is a glum gloss on Peter Pan from the director of Beasts Of The Southern Wild By A.A. Dowd February 27, 2020 | 3:20pm
Saint Frances finds grace, humor, and an ode to the female body in a familiar indie premise By Beatrice Loayza February 26, 2020 | 8:00pm
Greed, for lack of a better word, is not good By Vikram Murthi February 26, 2020 | 5:35pm
The KKK redemption drama Burden means well but misses the bigger picture By Katie Rife February 26, 2020 | 4:00pm
The Whistlers is a delectable deadpan noir By Ignatiy Vishnevetsky February 25, 2020 | 9:00pm
The Oscars should have made room for the intense and elemental A White, White Day By Mike D'Angelo February 25, 2020 | 7:30pm
A new version of The Invisible Man makes one of his victims intensely visible By Jesse Hassenger February 25, 2020 | 7:00am
Pixar loses a little of the magic with Onward By A.A. Dowd February 21, 2020 | 5:45pm
The spooky doll is an oddball delight, but Brahms: The Boy II is not By Jesse Hassenger February 21, 2020 | 2:51pm
Ana de Armas is way too good for the lousy, sub-De Palma thriller The Night Clerk By Katie Rife February 20, 2020 | 2:00pm

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