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In Jacques Audiard’s Paris, 13th District, sex is easy, but love is hard By Mark Keizer April 11, 2022 | 11:00am
In All The Old Knives, Chris Pine's spy lacks Jack Ryan's edge By Luke Y. Thompson April 7, 2022 | 9:45pm
In The Girl And The Spider, characters speak volumes without saying very much By Mark Keizer April 7, 2022 | 3:00pm
Ambulance is in a stylish hurry to go nowhere in particular By Todd Gilchrist April 6, 2022 | 11:52pm
In Cow, a farm is a prison and death is the only escape for Andrea Arnold’s bovine protagonist By Mark Keizer April 5, 2022 | 9:35pm
The Secrets Of Dumbledore buries timely messages under a mountain of mythology By Tomris Laffly April 5, 2022 | 2:00pm
Jim Carrey helps Sonic The Hedgehog 2 speed past its predecessor By Todd Gilchrist April 5, 2022 | 12:03am
Valérie Lemercier’s Aline offers a bad karaoke cover of Celine Dion’s musical legacy By Courtney Howard April 4, 2022 | 12:30pm
a-ha: The Movie takes on much more than the one song you know By Luke Y. Thompson April 4, 2022 | 11:00am
Judd Apatow’s The Bubble traps fictional A-listers—and his audience—in a pandemic-era film production By Luke Y. Thompson April 1, 2022 | 1:00am
In Morbius, Jared Leto leads a coldblooded supervillain origin story By Todd Gilchrist March 30, 2022 | 10:55pm
You Won’t Be Alone asks women, which witch are you? By Luke Y. Thompson March 29, 2022 | 9:00pm
With The Contractor, Chris Pine and Ben Foster’s third collaboration misses its mark By Courtney Howard March 29, 2022 | 1:00pm
In Apollo 10 1/2, Richard Linklater injects rocket fuel into childhood recollections By Jordan Hoffman March 25, 2022 | 9:50pm
Naomi Watts’ real-life survival story Infinite Storm can’t handle its own truth By Brent Simon March 24, 2022 | 9:45pm
In 7 Days, two mismatched singles seek common ground during COVID By Richard Newby March 23, 2022 | 3:30pm
Sandra Bullock and Channing Tatum take audiences on a fun tour of The Lost City By Jordan Hoffman March 23, 2022 | 5:00am
Everything Everywhere All At Once delivers exactly what its title promises By Jordan Hoffman March 21, 2022 | 11:00am
In Ahed’s Knee, Nadav Lapid sacrifices political discourse for personal reminiscence By Brent Simon March 18, 2022 | 4:20pm
In Umma, Sandra Oh faces her worst nightmare—becoming her mother By Martin Tsai March 18, 2022 | 1:15pm
With Deep Water, Adrian Lyne resuscitates the erotic thriller as contemplative, campy fun By Todd Gilchrist March 16, 2022 | 4:00pm

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