Music Features
- After “Lovefool,” The Cardigans broke up with the one-hit-wonder sound By Joshua Alston February 4, 2016 | 6:00pm
- Watch Low perform at the Eaux Claires festival By Josh Modell February 4, 2016 | 6:00am
- R.E.M.’s “Airportman” signaled the band’s post-Bill Berry shift By Annie Zaleski February 3, 2016 | 7:00pm
- Bob Mould’s electronic detour isn’t as bad as its reputation By Kyle Ryan February 2, 2016 | 6:00pm
- A one-of-a-kind album tried to turn ’80s pop on its ear By Ignatiy Vishnevetsky February 2, 2016 | 4:00pm
- With “Be Apart,” Porches dives head-first into a new world By David Anthony February 1, 2016 | 7:00pm
- Only half of El Vy knows what a group of hedgehogs is called By Marah Eakin February 1, 2016 | 3:00pm
- An iconic Tom Petty song was written for someone else By Gwen Ihnat January 29, 2016 | 6:00pm
- Bridget Everett on why she hates Enrique Iglesias’ “horse-and-buggy voice” By Marah Eakin January 29, 2016 | 6:00am
- A Belgian art-rock band captures the despair of the failed musician By Alex McLevy January 28, 2016 | 7:00pm
- On Good Old Boys, Randy Newman approaches the South with an insider’s touch By Asher Gelzer-Govatos January 28, 2016 | 6:00am
- Nine Inch Nails’ “Gave Up” took self-loathing to new lows By Annie Zaleski January 27, 2016 | 7:00pm
- David Bowie gave the punk movement both fuel and fire By Jason Heller January 27, 2016 | 6:00am
- The Smiths found a different shade of blue on “I Know It’s Over” By Noel Murray January 26, 2016 | 7:00pm
- With “Quiet,” Cloud Mouth broke the silence By David Anthony January 25, 2016 | 7:00pm
- Watch Mac DeMarco try on too many hats in our new video series, Talent Show By Marah Eakin January 25, 2016 | 3:00pm
- In Tortoise’s “Dot/Eyes,” the buildup is the climax By Joshua Alston January 22, 2016 | 6:00pm
- “She Sells Sanctuary” isn’t just The Cult’s best song, it’s a pivotal one By Noel Murray January 21, 2016 | 7:00pm
- Wreckless Eric was the punk rock record that wasn’t By Ryan Bray January 21, 2016 | 3:00pm
- Lush’s “Ladykillers” was a feminist antidote to Britpop’s dude overload By Annie Zaleski January 20, 2016 | 7:00pm
- Primal Scream’s “Movin’ On Up” is an ecstasy-fueled gospel gem By Marah Eakin January 19, 2016 | 6:00pm