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Wye Oak is doing just fine without guitar By Erik Adams March 12, 2014 | 6:00pm
“I Will Refuse”: 13 bands that could reunite, but won’t By Evan Rytlewski, Annie Zaleski, Kyle Ryan, Drew Toal, Matt Wild, Erik Adams, Marah Eakin March 12, 2014 | 5:00am
Public Service Broadcasting turns the sounds of old newsreels into new emotions By Sean O'Neal March 11, 2014 | 6:00pm
The Men’s Ben Greenberg on why he hates “The Ballroom Blitz” By Marah Eakin March 11, 2014 | 5:00am
A decade on, Madvillainy is still a masterpiece from hip-hop's illest duo By Eric Thurm March 11, 2014 | 5:00am
From Dischord to Lookout, punk record labels sparked change in the ’90s By Jason Heller March 11, 2014 | 5:00am
Win tickets to see Elbow’s upcoming North American tour By Josh Modell March 10, 2014 | 8:10pm
With a little help from my friends: 26 artists whose best-known songs are covers By Kevin McFarland, Kyle Ryan, Noah Cruickshank, Jason Heller, Annie Zaleski, Josh Modell, David Anthony, Sean O'Neal, Erik Adams, Rowan Kaiser, Andrea Battleground, Mike Vago, Marah Eakin, Tasha Robinson March 10, 2014 | 5:00am
“Junior Kickstart” sounds like the theme to an awesome detective show By Kyle Ryan March 7, 2014 | 5:00pm
Pharrell gets gloriously “happy” on this winter’s best summer jam By Josh Modell March 6, 2014 | 5:00pm
A beginner’s guide to the bouncy buzz of pop-punk By David Anthony, Kyle Ryan, Jason Heller March 6, 2014 | 6:00am
The Meters remain the measure of New Orleans funk By Jason Heller March 5, 2014 | 7:00pm
Treme kicked things off by “Funkin’ It Up” By Andrea Battleground March 4, 2014 | 5:00pm
With “Don’t Stop Me Now,” Queen set a beat for strutting By Marah Eakin March 3, 2014 | 5:00pm
Listening to its lyrics shows why “Over The Rainbow” deserves to be an icon By Emily St. James February 28, 2014 | 6:00pm
Examining the timeless, enduring appeal of “The Way You Look Tonight” By Andrea Battleground February 27, 2014 | 5:00pm
Should documentaries stop searching for the next Sugar Man? By Jason Heller February 27, 2014 | 6:00am
The story of Once’s Best Song win reads like a fairy tale By Josh Modell February 25, 2014 | 7:00pm
The Sisters Of Mercy mixed goth with Meat Loaf—and turned it into gold By Jason Heller February 25, 2014 | 6:00am
Dean Reid of Cheatahs can’t stand the over-sincerity of Jeff Buckley’s “Hallelujah” By Kyle Ryan February 25, 2014 | 6:00am
“Que Sera, Sera” sought what lay ahead By Marah Eakin February 24, 2014 | 7:00pm

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