Music Reviews
- No animals—maybe just humans—were harmed in the making of Swans’ To Be Kind By Jason Heller May 13, 2014 | 5:00am
- Dolly Parton gets folksy, dark on the lovable Blue Smoke By Marah Eakin May 13, 2014 | 5:00am
- Eno•Hyde’s new record lacks the inventiveness of either of its architects By Lily Moayeri May 6, 2014 | 5:00am
- Nikki Lane offers fiery takes on rebellion, surrender, and romance By Caitlin White May 6, 2014 | 5:00am
- With percussive strength, Tune-Yards finds a new way By David Brusie May 6, 2014 | 5:00am
- Damon Albarn underwhelms on his sleepy solo debut By Marah Eakin April 29, 2014 | 5:00am
- Ray LaMontagne melds his folky formula with throwback psych-rock By Chris Mincher April 29, 2014 | 5:00am
- Wye Oak strikes a dreamy reinvention with Shriek By Erik Adams April 29, 2014 | 5:00am
- After 20 years together, the Old 97’s still deliver the same love and nausea By Caitlin White April 29, 2014 | 5:00am
- On a dreamy debut album, Fear Of Men weighs the head and the heart By Josh Terry April 22, 2014 | 5:00am
- Future resists major-label bloat on his brisk Honest By Evan Rytlewski April 22, 2014 | 5:00am
- A Bikini Kill reissue holds the band’s best song, but not its best material By Marah Eakin April 15, 2014 | 5:00am
- Chet Faker’s debut is mostly the real thing By Josh Modell April 15, 2014 | 5:00am
- Aimee Mann and Ted Leo find common ground as The Both By Jason Heller April 15, 2014 | 5:00am
- Slint’s Spiderland box rewards patient listeners, patient fans By Marah Eakin April 15, 2014 | 5:00am
- The Afghan Whigs are back from the dead, not that Do To The Beast shows it By Jason Heller April 15, 2014 | 5:00am
- EMA pushes back against Internet culture run amok By Evan Rytlewski April 8, 2014 | 5:00am
- The Faint keeps things fresh By Annie Zaleski April 8, 2014 | 5:00am
- Punk supergroup Off! is back, but the rants are wearing thin By Jason Heller April 8, 2014 | 5:00am
- With Split Single, Bob Mould collaborator Jason Narducy hits his stride By Annie Zaleski April 1, 2014 | 5:00am
- S. Carey goes more abstract, languid on sophomore LP By Kyle Fowle April 1, 2014 | 5:00am