• film Come And See is a poster child for shock films, but its reputation misses what it's really about By Alex Lei July 9, 2025 | 12:00pm
• film F1 The Movie transforms the sport into just another piece of intellectual property By Alex Lei June 30, 2025 | 2:00pm
• film Primer: Where to start with Jia Zhangke, one of China's greatest living filmmakers By Alex Lei May 12, 2025 | 1:00pm
• film David Cronenberg goes back to his sci-fi roots with The Shrouds By Alex Lei April 21, 2025 | 1:00pm
• film With Warfare, A24 brings arthouse style to the military-entertainment complex By Alex Lei April 15, 2025 | 12:00pm
• film Throwback thriller Gazer is stuck looking backwards By Alex Lei March 31, 2025 | 10:00am
• film The realistic present chips away at a romanticized past in Grand Tour By Alex Lei March 25, 2025 | 7:00am
• film Bad Day At Black Rock remains an essential anti-McCarthyite text By Alex Lei January 7, 2025 | 12:00pm
• film Move over, Sundance—Cannes’ Directors’ Fortnight has become the proving ground for American indies By Alex Lei December 30, 2024 | 9:00am
• film Bob Dylan continues to evade the film world's attempts to define him By Alex Lei December 27, 2024 | 12:00pm
• film Clint Eastwood and his movies have something to say, but nobody's listening By Alex Lei November 7, 2024 | 12:00pm
• film Reagan's ugly hagiography is middle-of-the-night History Channel nonsense By Alex Lei August 30, 2024 | 7:00am