• film, tv Writing a love letter to the fans undermines what made Downton Abbey great By Anna McKibbin September 19, 2025 | 3:00pm
• film Folktales struggles to untangle the myth of growing up in the Arctic wilderness By Anna McKibbin July 23, 2025 | 2:00pm
• film M3GAN 2.0 is a scaled-up sequel that limps into the future By Anna McKibbin June 25, 2025 | 12:00pm
• film Queerness gets comfortable in the updated Wedding Banquet By Anna McKibbin April 21, 2025 | 8:00am
• film In The Electric State's unwatchable battle between man and machine, there are no winners By Anna McKibbin March 14, 2025 | 7:00am
• film Aardman Animations maintains its stop-motion ideal of a simpler England By Anna McKibbin January 3, 2025 | 10:03am
• film A killer represents misogyny’s magnitude in Anna Kendrick’s Woman Of The Hour By Anna McKibbin October 18, 2024 | 10:00am
• film Sleep throws back to the mysterious horror impulses of Cat People By Anna McKibbin September 30, 2024 | 5:00am
• film Beetlejuice Beetlejuice reinvigorates Tim Burton’s stale brand, returning to practical playfulness By Anna McKibbin September 6, 2024 | 1:36am
• film Babygirl brilliantly captures the feeling of falling in lust By Anna McKibbin September 3, 2024 | 10:00am
• film In A Violent Nature review: A slasher in touch with its surroundings By Anna McKibbin May 29, 2024 | 1:30pm
• film IF review: An unimaginative take on children’s imaginations By Anna McKibbin May 16, 2024 | 2:05pm