• film Gladiator makes a rousing case for going big and obvious By Mike D'Angelo November 13, 2015 | 6:00am
• film Man Up only scores when Simon Pegg and Lake Bell rip into each other By Mike D'Angelo November 12, 2015 | 5:00pm
• film Take Shelter from any gritty drama that casts celebs as homeless people By Mike D'Angelo November 12, 2015 | 3:00pm
• film What I learned from watching the first 10 minutes of 500 movies By Mike D'Angelo November 12, 2015 | 6:00am
• film Code Unknown is the least hectoring film Michael Haneke has ever made By Mike D'Angelo November 11, 2015 | 6:00am
• film Theeb puts Jordanian cinema on the map with a simplistic adventure yarn By Mike D'Angelo November 4, 2015 | 6:00am
• film Frederick Wiseman’s In Jackson Heights reveals a lively cultural cross-section By Mike D'Angelo November 3, 2015 | 6:00am
• film Even the expository scenes of It Follows are deeply unnerving By Mike D'Angelo October 30, 2015 | 5:00am
• film The Wonders is a charming slice-of-life portrait of Italian beekeepers By Mike D'Angelo October 29, 2015 | 5:00am
• film Nasty Baby is amiably aimless, until its ruinous final act By Mike D'Angelo October 22, 2015 | 1:00pm
• film Japanese horror anthology Kwaidan is low on frights, very high on striking imagery By Mike D'Angelo October 21, 2015 | 2:00pm
• film Heart Of A Dog isn’t a great movie, but it’s a wonderful Laurie Anderson album By Mike D'Angelo October 20, 2015 | 5:00am
• film Even when adapting Shakespeare, there’s room for a little creative liberty By Mike D'Angelo October 16, 2015 | 5:00am
• film The Russian Woodpecker offers plenty of conspiracy, little evidence By Mike D'Angelo October 15, 2015 | 3:00pm
• film Experimenter fascinates when focusing on Stanley Milgram’s work, not his life By Mike D'Angelo October 15, 2015 | 1:00pm
• film Sophia Loren and Marcello Mastroianni play against type in A Special Day By Mike D'Angelo October 14, 2015 | 5:00am
• film Victoria demonstrates why it’s a bad idea to shoot a movie in one take By Mike D'Angelo October 8, 2015 | 3:00pm
• film Gus Van Sant’s uneven career took off with the half-great My Own Private Idaho By Mike D'Angelo October 7, 2015 | 5:00am
• film Guy Maddin’s The Forbidden Room is a hilarious nesting doll of lost cinema By Mike D'Angelo October 6, 2015 | 5:00am
• film Tom Wilkinson clobbers Paul Giamatti—and that’s just the opening credits By Mike D'Angelo October 2, 2015 | 5:00am
• film Partisan raises interesting questions that it has no desire to answer By Mike D'Angelo October 1, 2015 | 5:00am