Ever since his solo debut in 1989, former Bad Seeds and Magazine bassist Barry Adamson has been a critical darling, and, like most critical darlings, he has gone unnoticed by the vast majority of the record-buying public. Granted, many are put off by the idea of soundtracks to non-existent films, or are confused by Adamson's edgy variation on soundtrack jazz. But things began to turn around when his work on the Lost Highway soundtrack brought him some richly deserved attention outside of his small fan base. As Above, So Below offers a side of Adamson heretofore only hinted at: In the face of his previous instrumental work, or songs that have featured guest vocalists like Nick Cave and Pulp's Jarvis Cocker, Adamson sings, and pretty well, too. His voice has a breathy sensuality that's not always polished, but it's effective. The addition of Adamson's vocals also gives As Above's songs a radio-friendliness that doesn't compromise his jazz influences. "Can't Get Loose" features a smooth dance beat, floating vibraphone notes, and Adamson crooning, "Can't get loose to usin' you / but that's what I'm a-gonna do / Having fun in heaven while you're crucified." Not the most commercially accessible lyrics, to be sure, but the song turns out a good blend of dance electronica and jazz that's indicative of his abilities. As Above is Adamson's most approachable work, but it never sacrifices his darker impulses.