Dylan Sprouse says The Suite Life wasn't so sweet

The Suite Life Of Zack And Cody star says the show was "extremely popular, but also extremely underfunded." 

Dylan Sprouse says The Suite Life wasn't so sweet

The realities of TV stardom are becoming more apparent every day. As working actors take to the internet to air grievances about their health care, Melanie Lynskey is dispelling the “insane idea that I made millions of dollars” on Two And A Half Men. Meanwhile, things weren’t much better over at the Disney Channel. Appearing on the Wildmen podcast, co-hosted by Suite Life Zack And Cody co-star Phill Lewis (via EW), Dylan Sprouse revealed he received only one residual check from his six years of starring with his brother Cole on The Suite Life Of Zack And Cody and The Suite Life On Deck. Even worse, it was for a nickel. “I don’t ever think I’ve said this, like, out on an interview,” Spouse says, “but the only residual check I’ve ever received for The Suite Life at all was a crossover episode with Hannah Montana for five cents. I’m not joking.” 

Suite Life ran from 2005 to 2008, and the spin-off, The Suite Life On Deck, ran from 2008 to 2011. During that time, Lewis says, “We were on four or five times a night because kids would just rewatch this. They put two episodes on on a Tuesday and they would run them just throughout the whole day.” 

No residuals for nearly 200 episodes of a television show that ran multiple times a day in the mid-2000s? “In a time when residuals would have been great,” Sprouse continues, “not a single paycheck for being arguably one of the most popular shows.” The economics of kids shows have long been a topic of debate. During the SAG strikes, the late Robert Carradine shared a 2019 Lizzy McGuire residual check for zero dollars on Instagram, explaining that’s “why we’re striking.” Sprouse does him one better and explains how Disney broke down its seasons. In his and his brother Cole’s contracts, each calendar year of Suite Life counted as one season, so Disney could film as many episodes a year as it wanted, and it would only count as a season of work without having to pay for it. “We were extremely popular, but also extremely underfunded,” Sprouse adds. “They called it one season because they didn’t have to pay us bumps.”

 
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