Jessica Jones delivers a phenomenal penultimate episode
This weekend, A.V. Club contributor Caroline Siede is watching all of the first season of Marvel’s Jessica Jones on Netflix. After she’s finished with an episode, she’ll post a quick response. Though she’s working straight through the season, she’ll be taking some breaks, too, posting five reviews on Friday, four reviews on Saturday, and four reviews on Sunday. Weigh in on this episode in the comments below or discuss the whole season on our binge-watching hub page.
“AKA Take A Bloody Number,” (season one, episode twelve)
Hot damn! That certainly wasn’t the penultimate episode of Jessica Jones I was expecting, but I’m so glad it’s the one we got. For most of its runtime “AKA Take A Bloody Number” is a surprisingly low-key character-centric episode, even moreso than “AKA I’ve Got The Blues.” I’m always a fan of character-driven stuff so I thought this episode was aces even before we were treated to a genuinely shocking twist ending and Jessica Jones’ best fight scene to date.
“AKA Take A Bloody Number” opens with Luke filling Jessica in on his first meeting with Kilgrave. Continuing the trend of everyone in this cast having fantastic chemistry, David Tennant and Mike Colter make a great comedic duo with Tennnat’s peppy energy clashing against Colter’s grounded seriousness.
It’s a lot of two person scenes this episode as Dorothy tries to reconnect to Trish by bringing her information about a mysterious research organization called IGH. Elsewhere Kilgrave is also dealing with parental issues as he forces his dad (who is maybe just pretending to be under Kilgrave’s control?) to create a serum that will strengthen his powers. While this show is always weakest when it takes time out to focus on its periphery characters, I even begrudgingly enjoyed the Malcolm/Robyn stuff, which got super weird and kind of sweet.
But the heart of this episode belongs to Jessica and Luke, who team up to do some PI work, with Luke taking on the role of Jessica’s Girl Friday. While the show is inconsistent with it use of film noir styling, the return to investigating makes “AKA Take A Bloody Number” feel more apiece with the beginning of the season than some of those middle entries did. Jessica and Luke continue to be perfect together (which Trish picks up on immediately), and this episode lets them connect on a deeper emotional level than they have before.