M*A*S*H at 50: The best episode for every main character on the show

The first of two commanding offers to fill the “camp dad” spot at the 4077th, M*A*S*H’s first three seasons feature Colonel Henry Blake as command officer, an inept leader who is often more interested in fishing or chasing tail than doing his job. Though, like Frank, Henry was hardly the most fit for his position, there’s an endearing element to his constant bumbling that makes him an affectionate paternal figure rather than a despicable nuisance.While M*A*S*H certainly had its fair share of tragic episodes, one of the most devastating was the shocking death of Henry at the end of season three, in the heartbreaking “Abyssinia, Henry.” For a character who spent so much of his tenure on the show playing comic relief, the decision to make Henry the first major casualty of the series is even more impactful because we didn’t see it coming. Though it may be cruel to list the episode in which he passes as his best, “Abyssinia, Henry” features strong writing and an affecting performance from McLean Stevenson that gives Henry Blake a lasting legacy on the series.

With the tragic departure of Colonel Blake at the end of season three, M*A*S*H needed a new, more grounded commanding officer, not only to replace Henry but do so with a character better suited to the show’s evolving tone. Enter Harry Morgan’s Colonel Potter, the brash, by-the-book colonel with a booming voice and a severe visage whose warmth and dedication to his officers is never in question.Where Henry Blake was an inept but endearing father figure, Potter was a stern leader with a surprising depth that helped usher in more complex story arcs. This is beautifully encapsulated in season eight’s “Old Soldiers.” The episode sees Potter acting strangely around camp (which prompts the concern of the other officers) and dives into his past and long military history prior to the 4077th, putting emphasis on the survivor’s guilt he endured after his many tours of service. Not only does “Old Soldiers” give Harry Morgan the chance to take the reins as a dramatic lead, but it also allows Potter the breathing room to explore his character beyond his role as commanding officer.

Following the departure of Trapper John (also at the end of season three), season four saw Hawkeye in need of a new drinking buddy/partner in crime. He came in the form of the clean-cut, all-American army doctor BJ Hunnicutt (Mike Farrell), freshly drafted and as-yet untainted by the horrors of war. When BJ arrives at camp, Burns and Houlihan have hopes of keeping him a squeaky-clean young doctor, but when he and Hawkeye quickly get on like a house on fire, their hopes go down the drain and BJ quickly becomes one of M*A*S*H’s comedic powerhouses. Not only that, but BJ (along with Colonel Potter) was one of the first characters introduced after the show’s developing tonal shift, which meant that the character enjoyed a healthy amount of hard-hitting, emotional episodes that cut to the core of who he was and what he stood for. One such episode, “Death Takes A Holiday” (written and directed by Farrell himself), found BJ desperate to save the life of a gravely wounded soldier on Christmas, giving the audience a look at who BJ is: a relentlessly hopeful doctor (perhaps dangerously so) who refuses to abandon his patients.

Though not a true series regular until well after viewers had already grown to love him, perhaps M*A*S*H’s most unlikely scene stealer was Father John Patrick Francis Mulcahy, the kindly Jesuit priest who oversaw the faith of the camp, performed last rites for patients, and ended up becoming the beating heart of the 4077th. He was a pillar of hope and optimism, even to the many cynics and agnostics in the operating room. Despite Hawkeye & Co.’s anti-establishment attitude, Father Mulcahy, with his gentle voice and easy smile, was able to break through to the officers of the 4077th and bring with him a lasting cheer that got the camp through some of its most devastating moments.While Father Mulcahy often struggled with feelings of uselessness and inadequacy considering his lack of medical skills in the OR, M*A*S*H made sure to emphasize the need for Mulcahy’s presence around camp and the impact he had on its residents. And nowhere is that more clear than in season five’s “Mulcahy’s War,” wherein the padre accompanies Radar to the frontlines after feeling insecure about his lack of combat experience. The episode challenges Mulcahy’s trademark optimism and subjects him to firsthand horrors. But instead of crushing his spirit, the installment ends with Mulcahy more reaffirmed in his faith than ever.

Given the unenviable task of filling Frank Burns’ shoes as the camp punching bag following his departure after season five, the season six premiere introduced a drastically different kind of villainous major: the snobbish Charles Winchester. A prissy, upper-cruster who found his way to the frontlines after angering the wrong general in a game of poker, Winchester arrived at the 4077th thinking he was too good for the camp and too talented of a surgeon for Hawkeye and BJ’s so-called “meatball” surgery.But, as Winchester was introduced after the show’s tonal shift, he was afforded the depth and growth that Frank Burns wasn’t. And slowly but surely, the writers helped morph Charles Winchester into a complex, empathetic (but no less infuriating or stuffy) figure who served as the center emotional touchpoint for some of M*A*S*H’s most compelling episodes. One such installment was season nine’s “The Life You Save,” in which Winchester grapples with a sudden burst of faith after a near-death experience. M*A*S*H was interested in exploring the emotional toll that war could take on someone entirely unsuspecting, and getting to see Winchester join the series completely unaware of what he would endure gives “The Life You Save” a depth and resonance that make it easy to forget you’re watching a half-hour sitcom.

Arguably M*A*S*H’s most famous character after Alan Alda’s Hawkeye, nobody else could take over a scene quite like Jamie Farr as Corporal Maxwell Klinger, the smart-mouthed guard who wore women’s outfits in search of a Section 8 discharge from the Army for insanity. Klinger’s bombastic fashion sense and his larger-than-life personality (treated with remarkable matter-of-factness by the rest of the camp) helped make him a memorable presence.One such moment, is, of course, General MacArthur arriving at the 4077th only to be greeted by Klinger in a Statue of Liberty costume, complete with a torch that sparked and shot smoke. Season three’s “Big Mac” shows the camp in a tizzy about MacArthur’s visit, which Klinger (obviously) sees as the perfect opportunity for a discharge. Though the later seasons ditched Klinger’s crossdressing habits, at the request of Farr, and focus more on his role as company clerk (and later his marriage to Korean local Soon-Lee), it’s undeniable that his snappy dress sense and charisma made for some of the first few seasons’ most cherished moments.