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Pineapple Express

Pineapple Express

Thanks to a TV biopic from
2001, someone was able to convince James Franco that he was the next James
Dean. His career has gone accordingly, with sensitive-but-brooding pretty-boy
roles in City By The Sea, Tristan & Isolde, Annapolis, Flyboys, and the Spider-Man movies. But Freaks And
Geeks

fans know that Franco is the inverse: A fake James Dean, someone who
uses his looks to score chicks, but is really an imposter and a loser, and a
damned funny one at that. There are many things to like about Pineapple Express, an old-school
action-comedy retooled as a stoner goof, but Franco's return to humor is a
cause for celebration, or at least relief that he's finally come back to us. As
a perpetually baked pot dealer, Franco colors his many laugh lines with a
sweet, childlike naïveté that's completely disarming. It also helps set the
tone for a film that's as loose and playful as major studio movies get.

Written by Seth Rogen and
his writing partner Evan Goldberg—the duo also scripted last summer's SuperbadPineapple
Express

refers to an exclusive strain of weed that Franco offers to Rogen, his favorite
customer and secret best friend. Rogen's job as a process server allows him to
toke up in his car between jobs, but one night, while waiting to hand out a
subpoena, he witnesses a murder, and murderer Gary Cole witnesses him right
back. As it happens, Cole is also Franco's chief supplier, and he traces the
marijuana strain back to the source, sending Franco and Rogen on the run with a
crooked cop (Rosie Perez) and a couple of bumbling henchmen (Kevin Corrigan and The Office's
Craig Robinson) hot on their trail.

The wildcard in Pineapple
Express

is David Gordon Green, a director known for offbeat, beautiful,
semi-improvisational indie films like George Washington and All The Real Girls. He's an unconventional directorial
choice for a mainstream action-comedy, but his impeccable eye defies the
indifferent visual style of most Judd Apatow productions, and he has a glancing
touch that keeps the violence from mucking up the fun. (His staging of the big
action finale is the most hilariously awkward free-for-all since the pirate
shootout in The Life Aquatic.) A subplot involving Rogen's relationship with a
high-school student (Amber Heard) could have been excised, though at the
expense of the one of the film's funniest scenes. But good stoner comedies like Pineapple Express
have a rambling, shaggy-dog nature that can make quirky little detours and non sequiturs
more essential than story itself.

 
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