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Whodunit The Better Sister slathers on too many subplots

Jessica Biel and Elizabeth Banks star as estranged sibs in Prime Video's latest limited series.

Whodunit The Better Sister slathers on too many subplots

As a title, The Better Sister has a nice ring to it, especially as the show never commits to telling us which is the superior sib here. Is it Chloe (Jessica Biel), a well-coiffed New Yorker who works in publishing and lives a life as beautifully put together as her ensembles with her lawyer husband and teenage son? Or might it be Nicky (Elizabeth Banks), a frazzled woman still working through her sobriety and aching to have a closer bond with her estranged son? The question seems rhetorical. But the more this twisty adaptation of Alafair Burke’s novel unfolds—revealing, for instance, that said son is one and the same, and that Nicky’s ex is now Chloe’s husband—the more you’re encouraged to reexamine who is  “better” between these two women still grappling with a trauma-riddled past neither can outrun.

This whodunit is centered around the death of Chloe’s husband (a.k.a. Nicky’s ex), Adam (Corey Stoll). One night after a fancy gala he’s opted to skip, Chloe (in a fab white nightgown) arrives at her house in the Hamptons to find no trace of her son Ethan (Maxwell Acee Donovan) and discovers, instead, a pool of blood that leads her to Adam’s body. He’s been stabbed, it seems, and while it is she who calls the police, there are enough red flags at the crime scene for the cops to make Chloe and eventually teenage Ethan the main suspects. After all, they both seem to have things to hide and, more to the point, motives for wanting him dead. All of that gets immediately complicated once the detectives investigating the murder (played by Kim Dickens and Bobby Naderi) get to meet Nicky. As Ethan’s sole living biological parent, she arrives to tend to her estranged son and, in the process, become a thorn in the side of these police officers who may be too eager to nail him for killing his father. And this all unfurls while both sisters have to reckon with what years apart has done to their once tight-knit bond and the kid who’s caught in their crosshairs.

That family dynamic alone feels meaty enough to make for an intriguing murder mystery. Nicky’s past addiction and the reckless actions that led to Adam leaving her and eventually marrying Chloe are fertile ground on which to paint a portrait of responsibility and sisterly betrayal. You could say the same about Chloe and Adam’s marriage, which is—surprise—not as picture-perfect as it appears from the outside. And Biel and Banks shade their roles with enough nuance to show that there may have been errors made on both ends: Biel finds in Chloe a stoic restraint that clearly keeps her demons at bay, while Banks makes Nicky the kind of woman who needs to always be in motion lest she pause enough to assess what’s going on in her head. Theirs is a bond fraught with the abusive household they grew up in—the one Chloe presumably left behind and Nicky cannot seem to escape. But that’s not all The Better Sister has in store. 

Unfortunately, as if such domestic tiffs were too dramatically thin, creators Olivia Milch and Regina Corrado slather on subplots and red herrings that are meant to complicate The Better Sister‘s central murder but muddle it instead. There are burner phones to be discarded and salacious affairs to be ended, as well as PR campaigns to be waged and shady FBI agents to be avoided. There are hints that Adam’s job at Bill Braddock’s (Matthew Modine) law firm and his involvement with a shadowy group may be to blame, not to mention evidence that someone is stalking and cyberbullying Chole. What’s more, there are past police indiscretions that may need to be kept under wraps, plus savvy ways in which Chloe’s boss, the wealthy entrepreneur Catherine Lancaster (Lorraine Toussaint), is hoping to spin the media circus that follows Adam’s murder. Added to that,  the sisters’ father and the late Adam are seen not just in flashbacks but in maudlin visions as Chloe and Nicky seem to lose grasp of the reality around them.

And so, the more the story of Adam, Chloe, Nicky, and Ethan plays out, with requisite scrambled flashbacks designed to constantly reframe what it is we’re watching, who we’re rooting for, and whose sympathies are being elicited on any given episode, the more The Better Sister struggles to sustain anything other than narrative momentum. All of these characters end up flattened by the needs of the plot, which asks them to merely be cogs in an increasingly complicated story with a convoluted ending that doesn’t quite warrant the absurd twists it takes to get there.

But perhaps what’s most dispiriting about The Better Sister—and this is something that’s true of the prestige whodunit series like this that have become ubiquitous these days—is how its very generic constraints keep its most intriguing aspects from really shining. Equal parts murder mystery and police procedural, with a dash of legal and family melodrama, this Prime Video limited series serves as a reminder that contemporary television insists on using law enforcement and the legal system to excavate domestic affairs. It is only by their brushes with cops, lawyers, and judges (not to mention the exacerbated media scrutiny) that these sisters get to reexamine their relationship to each other and to Ethan. Murder as a limit case of the violence that happens within families may well make for a juicy TV log line, but it’s also by now so very stale.  

The Better Sister premieres May 29 on Prime Video  

 
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