Yelling, abuse, tears: It’s a Cassavetes love story!
Every day, Watch This offers staff recommendations inspired by the week’s new releases or premieres. This week: With the Academy Awards coming this Sunday, we’re highlighting work by master filmmakers who never won the Best Director Oscar.
Minnie And Moskowitz (1971)
At a key moment in John Cassavetes’ “romantic” “comedy” Minnie And Moskowitz, leading man Seymour (Seymour Cassell) clips off his bushy hippie mustache in a gesture of infatuated desperation. The reluctant apple of his eye (Gena Rowlands) wrestles the scissors out of his hands before he can turn on his ponytail, but it’s a futile move. Both halves of the mismatched coupling that lend this agonizing, fitfully funny film its title express themselves almost exclusively through theatrical, over-the-top outbursts. Rowlands appears to spend the entire film on the brink of tears, evidently warming up for the tour de force in A Woman Under The Influence that would earn her a Best Actress nomination three years later. When she’s not trembling just to contain her internal emotional tempest, she hides behind an oversized pair of sunglasses that make her look like an extremely stylish insect. She’s not cut out for this world, and neither is he, but whether that makes them perfect or toxic for one another remains unclear.